DJ Eritch in a leather jacket and blue glasses, holding a stack of records against a red backdrop Out now
Still carrying the records.

New record out now

DJEritch

Punk. Psychobilly. Goth. Post-punk. New wave. Dark wave. Classic industrial. New York since the late 1980s. Velvet & Fire, four songs, out now.

Velvet & Fire

EP · Released September 25, 2026

    Stream it anywhere

    Same four songs, wherever you already listen

    From the booth to the record

    “Erick had parents, rent, history, and consequences. Eritch had records.”
    Erick Grau in the 1990s, bleached hair, dark sunglasses and a black suit, slouched against a bar
    1990s Dj.Eritch
    DJ Eritch in skull face paint, black and white
    2024 Still here

    DJ Eritch is Erick Grau, a Cuban American kid from Hudson County who started spinning in New York in the late 1980s and never really stopped. The name has been spelled Dj.Eritch, Dj.Erich and, later, Count Eritch, depending on the flyer. The records were the constant: punk, psychobilly, goth, post-punk, new wave, dark wave and classic industrial.

    He held down nights at the Pyramid Club on Avenue A, the back room at Limelight, and Censored at The Building, the pinnacle of industrial music in New York at the time, spinning eighties new wave, dark wave and goth. He shared turntables across the early-1990s goth and industrial circuit. When he was not in the booth he was behind a board: running monitors on the road with the Ramones in 1991, working rooms like CBGB and The Ritz. In 2013 the alias was still on flyers, as Count Eritch at Psychomania.

    The booth taught him one thing he still lives by. When the room starts slipping, do not turn everything up. Find the one thing causing the feedback.

    Then the booths changed. The monitor desk led to Apple, then to running IT for a $4 billion hedge fund, and in 2014 to founding Chibitek, the company he still runs as CEO. He told that whole arc for Forbes, from punk rock to the cloud, and landed on the same lesson: technology without trust is just noise.

    Thirty-some years later, the same ears made a record. Velvet & Fire is the first release under the name: four songs, eleven minutes, nothing polite. The next one, 1968, is already on the way. Same night, different man.

    Nights

    • New York Nights
    • Communion Limelight
    • Disco 2000 Limelight
    • Troublemaker Jackie 60
    • Censored The Building
    • Damnation The Bank
    • Stigmata Pyramid
    • Berlin
    • Psychomania Three of Cups

    Rooms

    • Pyramid Club 101 Avenue A
    • Limelight back room
    • The Building Censored
    • CBGB
    • The Ritz
    • The Meadowlands stage left
    • On the road Ramones, 1991
    An AI-generated image of DJ Eritch singing into a vintage microphone in the middle of a New York street, a band in corpse paint behind him
    Yes, this one was made with AI. No band was booked, no street was closed and nobody expensed corpse paint. The records are real.
    LiveLoud

    Behind the decks · On the mic

    Behind the decks it is still punk, psychobilly, goth, post-punk, new wave, dark wave and classic industrial, the same crates he carried up the stairs at the Pyramid Club. On the mic it is the songs from Velvet & Fire and 1968.

    The book · Memoir · In progress

    The Room Is Listening

    A memoir in noise, work, love and trust.

    His life keeps putting the same person behind different boards. A DJ booth at the Pyramid Club. A monitor desk on the road with the Ramones. A server room under a trading floor. A boardroom. A school board dais. Now an AI control plane. The book asks the same question at every one of them: can people trust the person listening when the room turns difficult?

    It is being written now. Excerpts will land here first.